00.01 Course Resources
On this page
Technical and Reference Resources
Copyright and Fair Use
Artist Practices
Documentation
Readings
- de la Durantaye, Leland. Readymade Remade - Pierre Pinoncelli and the legacy of Duchamp’s “fountains” Cabinet Magazine. Issue 27 / Mountains. Fall 2007.
- Kate Crawford and Trevor Paglen, “Excavating AI: The Politics of Training Sets for Machine Learning (September 19, 2019) https://excavating.ai
- Lyons, Michael J. Excavating “Excavating AI”: The Elephant in the Gallery . ArXiv , September 14, 2020. PDF
Additional Readings
- McLuhan, Marshal. Understanding the Media: Extensions of Man
. New York. 1964.
- Available from Design Open Data (Archive Link)
- Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction 1936. Translated by Harry Zohn. marxists.org (Archive Link) or web.mit.edu (Archive Link)
- Weisberg, Ruth. The Syntax of the Print: In Search of an Aesthetic Content . Tamarind Institute. “Volume 9, Number 2 (1986).” The Tamarind Papers: Technical, Critical and Historical Studies on the Art of the Lithograph 9, 2 (1986). Page 52-60. (Archive Link)
- Molesworth, Helen. ‘Duchamp by Hand, Even’. In Part Object Part Sculpture. Pennsylvania: Pennsylvania State University Press, 2005.
- Steyerl, Hito. In Defense of the Poor Image e-flux Journal. Issue #10 November 1, 2009. PDF Link (Archive Link)
- Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity . New Media & Society, 20(11), 4275-4292 .
- Nadini, M., Alessandretti, L., Di Giacinto, F. et al. Mapping the NFT revolution: market trends, trade networks, and visual features . Sci Rep 11, 20902 (2021). https://doi.org/10.1038/s41598-021-00053-8 PDF Download ArXiv Link
- Farid, H. (2020). Image Forensics . In: Computer Vision. Springer, Cham. https://doi.org/10.1007/978-3-030-03243-2_877-1 PDF Link
- Carbon, C.-C. (2017). Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions. I-Perception, 8(1). https://doi.org/10.1177/2041669517694184 (Original work published 2017)
- Understanding Information Disorder Council of Europe Link
- Shifman, Limor. An anatomy of a YouTube meme. New Media & Society 14 (2012): 187 - 203.
- Bishop, Claire. DIGITAL DIVIDE: CONTEMPORARY ART AND NEW MEDIA Artforum. VOL. 51, NO. 1. September 2012.
- Davis, Douglas. “The Work of Art in the Age of Digital Reproduction (An Evolving Thesis: 1991-1995).” Leonardo 28, no. 5 (1995): 381–86. https://doi.org/10.2307/1576221 .