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In an interview with Roger Deakins by Phil Mistry for PetaPixel, Deakins is documented as saying “I am familiar with the ‘rule of thirds‘, but I have not considered it a conscious part of my approach since I attended art college in the 1960s,” 2

In an interview by John Witmer for American Cinemetographer, David Lowery talks about needing to throw out the rule of thirds when shooting A Ghost Story because the “sheet ghost” character would dominate the visual frame and required innovative compositional thinking beyond the rule of thirds. 3

In a British Cinemetographer article, Paul Fremes writes, “Although the rule of thirds is seductive in its simplicity and, how a super-imposed grid over an image ‘appears’ to be logical – this idea creates new problems and has the great potential of being destructive when composers attempt to align objects with grid intersections – for its own sake. Imagine how homogeneous all of art would look if this rule were used?”

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